Staying up too late in the evenings, watching the Olympics. Today there were a bunch of errands, and dear old Ludwig Van was Pastoral on the radio so I cranked it up.
In the mornings I've been reading. I'm back on the program. First I read some of the London Review of Books, which I have got just a teensy bit behind with in the last month. Then I read another chapter on Polymer Painting, from an ancient textbook that I picked up, from the seventies when it was all very new and the illustrations are pretty quaint. It's short, but covers a lot of possibilities. Then another chapter in a short but beautifully illustrated book on the painter Mark Rothko, which I got at the Tate Modern after making sketches of the Rothko room. Yeah, I'm a big Rothko fan, and this is making me more of one. Both of these books I have calculated to finish before Friday, when we embark on the large-scale non-objective painting program in the new garage studio. Mr S is even now spackling and sanding out there, as he likes his works to have a high degree of finish. Go figure.
So I was reading the LRB today, cover to cover in my obsessive way, and found a review of a British poet, Tom Raworth, of whom I know nothing, by another British poet, likewise. It's a big world. As the poetry gigs dried up and the bills (poll tax, petrol) mounted, those borderline anti-citizens, the poets, went back to radio. Listening, not performing... A medium and a transmitter. Poems were like interference, whispers of the dead. Who else but an insomniac poet would not only listen to Farming Today, but remark on the curiosity of Bob Dylan's "Blowin' in the Wind" being used as background music to an item on crop spraying?
In this epoch, poets were seen as out-patients, special-needs dependents on whom you could not depend. Their words, gabbled, glossolalic, were so much acoustic landfill. Poetry was a sickness. The excitement, looking through Raworth's Collected Poems, comes from recognising that, despite everything, somebody is paying attention. Staying on the case like a disenfranchised private eye. Listening, actually listening, to the hiss of the radio: translating noise into picture, making it readable... (Iain Sinclair)
Good heavens, and the thing I had to turn the page down for in this issue was the article about Christopher Marlowe, which also discussed how my favorite Love's Labours Lost actually is full of historic reference to Queen Margot, as in the movie and the Dumas that I haven't yet read, and the massacre of St Bartholomew's Day, 1572.